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Have had a wonderful variety of operatic experiences recently and, while I’m always interested in the insights that different productions can bring to a work, I can’t help but reflect chiefly on the quality of the music-making and, even more, on how the composer problem-solved, setting text and underlining a drama by means of the singing voice. While not denying the cast and creatives their credit, nothing can redeem a bad score - whereas a good score can suffer if justice isn’t done.
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