Edward Lambert has created instrumental, choral and community works as well as 22 chamber operas of various shapes and sizes.
- "A fascinating take... packed full with stunning music... fusing a traditionally dynamic Bel Canto score without feeling the least bit dated." (Broadway World)
- "...seamlessly transitions between sombre, vengeance-laden moments, and tenderly poignant love sequences, offering a tightly woven score that sustains its allure throughout... " (The Wildean, July 2024)
- "...felt sumptuously melodic, as well as busily fresh, with strong, intensely written passages building to moments of euphoric surprise." (operissima)
- "...approachable, but contemporary musical style..." (Planet Hugill)
- "...intriguingly offered elements of bel canto vocal writing to vie with a more ‘modern’ idiom..." (boulezian)
- "...a score whose eroticism was often visceral." (The Guardian)
- "...became increasingly disturbing, and confirmed Lambert's effective text-setting." (Opera Today)
- "...is always strongly directional and full of emotion..." (Newbury Weekly News)
- "...strikingly imagined..." (The Times)
- "...inventively-textured and syntactically original music..." (Daily Telegraph)
Latest news...
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Erwachen
dramatic cantata / chamber opera text: August Stramm (1874-1915) in German for soloists, choir & small orchestra (or ensemble) 45 minutes |
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Twelfth Night
(or You Know What) a comic opera adapted from Shakespeare's play cast of 9 small instrumental ensemble 2 hours (+ interval) |
Recent works: