Edward Lambert’s music...
- "A fascinating take... packed full with stunning music... fusing a traditionally dynamic Bel Canto score without feeling the least bit dated." (Broadway World)
- "...seamlessly transitions between sombre, vengeance-laden moments, and tenderly poignant love sequences, offering a tightly woven score that sustains its allure throughout... " (The Wildean, July 2024)
- "...felt sumptuously melodic, as well as busily fresh, with strong, intensely written passages building to moments of euphoric surprise." (operissima)
- "...approachable, but contemporary musical style..." (Planet Hugill)
- "...intriguingly offered elements of bel canto vocal writing to vie with a more ‘modern’ idiom..." (boulezian)
- "...a score whose eroticism was often visceral." (The Guardian)
- "...became increasingly disturbing, and confirmed Lambert's effective text-setting." (Opera Today)
- "...is always strongly directional and full of emotion..." (Newbury Weekly News)
- "...was strikingly imagined and very well played." (The Times)
- "...presented.... some of the most inventively-textured and syntactically original music of the evening." (Daily Telegraph)
Recent works: