Just finished a piece for string ensemble, a Sonata for Strings, which I've sub-titled Stillleben. The German word Stille has, I think, a more loaded meaning than the English equivalent in Stillife. The first half of the piece is calm, quite serene even, while the second half is lively and rather dance-like. I don't think you can have life and be completely still at the same time: surely life implies energy and growth? So the artistic term still-life seems a bit of a misnomer.
Composer and musician