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Although as a youngster I certainly wanted to write, I felt a pre-requisite of becoming a composer was a thorough knowledge of musical history and musical language. The study of harmony and counterpoint from medieval methods through to the serialists absorbed me until my mid-twenties - along with the process of becoming a musician.
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Just finished a piece for string ensemble, a Sonata for Strings, which I've sub-titled Stillleben. The German word Stille has, I think, a more loaded meaning than the English equivalent in Stillife. The first half of the piece is calm, quite serene even, while the second half is lively and rather dance-like. I don't think you can have life and be completely still at the same time: surely life implies energy and growth? So the artistic term still-life seems a bit of a misnomer.

Edward Lambert

Composer and musician

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