EDWARD LAMBERT
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Verdi

13/10/2013

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We recently celebrated Verdi's 200th birthday. I arranged a kind of party in Newbury, invited locals to Come, Sing or Listen, and Drink. I might well have added Eat, since a beautiful cake was made in his honour. Verdi's not my favourite composer - I don't think I have a real favourite anyway - but I wouldn't have wanted to organise this occasion for anyone else. Verdi's special. You don't have to be a revolutionary to write good music. You don't have to adopt a musical language which is up-to-the-minute, or even avant-garde. You just have to write good music. And in Verdi's case, he wrote in a style which is so much his own that you can't mistake it for anyone else. Once he gets into his stride, he doesn't imitate anyone else. And no other composer sounds like him. Therefore that makes him individual.
Compare him to Wagner. Everyone started writing like Wagner. And if Verdi's heir is Puccini-cum-Wagner - well, then everyone started writing like Puccini, and Hollywood still does! The late Romantic style is common currency, a sort of Esperanto of music, to be consumed globally like MacDonalds! Verdi - not so. A rock-solid individual.
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Contemporary drama?

6/10/2013

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I went last night to see my daughter in a school play. Since daughters don't always communicate very thoroughly with their parents I had no idea what it was.

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    Edward Lambert

    Composer and musician

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  • The Music Troupe
  • Productions
    • Last Party on Earth
    • Apollo's Mission
    • Art of Venus
    • Catfish Conundrum
    • Cloak & Dagger Affair
    • Opera With A Title
    • six characters
    • Oval Portrait
  • Media
  • Reviews
  • Edward Lambert
    • Instrumental Works
    • Vocal & Choral Works
    • Stage Works
    • Simple Operas
    • Blog
    • About