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Just finished a piece for string ensemble, a Sonata for Strings, which I've sub-titled Stillleben. The German word Stille has, I think, a more loaded meaning than the English equivalent in Stillife. The first half of the piece is calm, quite serene even, while the second half is lively and rather dance-like. I don't think you can have life and be completely still at the same time: surely life implies energy and growth? So the artistic term still-life seems a bit of a misnomer.
A codebook, computer viruses, a mad professor, holograms.... a fantasy for primary schools.
for voices and keyboards/percussion Commissioned with funds made available by the Millennium Festival Awards for All; created with and for the pupils of Smannell & Enham Primary School, Hampshire When young archaeologists come across a strange looking object they get more iron age history than they bargained for... Lugh was an Iron Age warrior-god and this is his story.
chorus, keyboards & percussion Created under the auspices of the Andover Museum for their contribution to the national Art in Archaeology scheme The Creation, the Downfall of Man and the Nativity all narrated - LIVE AS IT HAPPENS!
Based on the medieval Mystery Plays |
Edward LambertComposer and musician Categories
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